The rise of Ghana Dancehall music ‘madness’ in the ghettos

SN (Self Nation –
Addi Self), TCM (Terror Clique Movement – Bastero), PM (Platinum Minds –
Sheriff), Zaafi Empire (Rashid Metal) and dozens more.



These groups have collectively grown quickly in numbers, lifestyle and
actions, giving birth to a culture called Dancehall Movement and the
christening of Nima, Dancehall City.



The music is no more the centre that holds the movement but rather the
family and affiliation, with or without the direct involvement of the
Dancehall musicians who wave their flags on musical platforms.



Rivalry and overzealousness characterize the families who go to the
extent of physically attacking opposing groups to protect the integrity
of the local brands they believe in.



The easily identifiable Dancehall rivalry which had national attention
is that of Samini (High-Grade Family) and Shatta Wale (Shatta Movement)
spanning over two years. The latter was an idol for many Dancehall
lovers in the ghettos as a result of his pronounced affiliation to the
communities and short-lived relocation.



While the award-winning musical artistes were getting their monies worth
from media war, bloody intra and inter-community squabbles ensued in
their interest. They are now losing popularity to born and bred local
artistes who are struggling for national coverage and if lucky,
international.



One-time local artistes who are tasting glory are Stonebwoy from
Ashaiman, Iwan from Accra Newtown, Rudeboi from Maamobi and Rashid Metal
among a few.



For now, rising local stars like Addi Self, Bastero, Sheriff and many
others who are struggling to go beyond the big guys keep brightening
their corners in Nima, Maamobi, Accra Newtown etc.



Watch ambitious young Dancehall artiste Addi Self represent Maamobi;